The 2019 edition of Asian Festival of Children’s Content will place importance on difficult and sensitive topics related to ethnic and cultural diversity, among others. Mallika Naguran presents a peak at what is in store at the regional literary event staged in Singapore this September.
This year, between 23-27th October, the Ubud Writer’s Festival organisers have done themselves and the audiences proud with a star-spangled lineup of more than 160 authors, journalists, artists and activists from 30 countries on all sides of the globe.
Indonesia's #1 festival for music and arts, We The Fest is to be held at the Jakarta International Expo in Jakarta, Indonesia, in July and will feature some 40 acts from across the global pop, hip-hop, bass and indie musical spectra.
Eco-consciousness continues to be part of this year’s Singapore Writers Festival that will bring together critically-acclaimed writers, thinkers and performers across literary genres in Singapore from 2 to 11 November 2018.
Strawberry Fields Festival is a three-day music and arts festival looking to welcome up to 8,000 audio and experiential visitors to the tree-lined Murray River banks, with art installations, music, workshops and food to keep your mind fresh.
The Pohoda Festival in Slovakia is a music event with the emphasis on space, sound and the universe. And there is lots of nice green grass to sit or lie on as you listen.
The winter solstice marks the shortest day in winter, and the time to slaughter greedy animals and hoard stocks of grain. Tasmania’s MOFO organisers have changed things slightly and organised an invigorating swim instead. In freezing waters. In the dark.
Singapore’s signature light art festival will run from 9 March to 1 April 2018 with sustainability as a major theme. The showcase of 22 local and international light art installations will take place in Marina Bay and Esplanade Park.
Tamar Valley Folk Festival 2018 promises to be bigger and better featuring Tasmanian, Australian and Irish acts from 19 to 21 January 2018 at George Town, Tasmania
Singapore and Malaysia got together for a unique cultural programme, CausewayEXchange 2011, where Mallika Naguran joined fellow Singapore travellers to enjoy the weekend's literary affair in Kuala Lumpur.
15 August 2011, Kuala Lumpur. Singapore invaded the arts scene in Kuala Lumpur city in August 2011 for a brief period, bringing an artistic fabric sewn with a cultural thread that reflected the island nation's identity. Singapore and Malaysia share a common history and were in fact one country before 1965. They also saw the horrors of World War II, the Japanese occupation, and rode out many regional crises together.
A Singaporean and Malaysian playwright collaborated in theatreworks at CausewayEXchange
Plays, films, poetry slam (Malaysian wit put to test against Singaporean erudition), talks and photo exhibition – what a treat it was for art lovers and for city fugitives. The CausewayEXchange was organised by the Asian Culture Enterprise Singapore and DMR Productions from 4-7 August 2011. It reprised the 2010 event where 30 Malaysian artists performed to an audience of 3,000 at The Singapore Arts House.
On Friday 1 August 2011, two coaches hit the road from Singapore to the Malaysian capital city, taking some 60 people from the art, music and media industries, plus tourists who signed up for this unique programme.
The Singapore participants took in a tour of Johor on the way to Kuala Lumpur. First stop was to sample superlicious nasi lemak at Danga Bay, then learn about mushroom cultivation at Kampong Tewaka in Kempas, about an hour’s drive from the Causeway.
Kampong Tewaka mushroom farm in Kempas, Malaysia grows oyster mushrooms using organic methods
Back on the road the tour stopped again to sink its teeth into Anthony Fish Ball in Yong Peng, apparently the favourite of Colin Goh, CEO of The Arts House. Well, trust Singaporeans to spot the good eating-places, even in Malaysia.
Singapore - An Accidental Nation
Once at the destination of Kuala Lumpur, the main venue was the heritage grounds of Kuala Lumpur Performing Arts Centre @ Sentul Park (KLPAC).
The two plays staged here reflected themes that both Singaporeans and Malaysians could identify with. Singapore playwright Desmond Sim collaborated with Malaysian writer Nandang Abdul Rahman to produce a series of short plays collectively dubbed Food, Sex and Death.
Nandang Abdul Rahman's 'The Five Stages of Grief' playlet as part of Food, Sex & Death theatre show
I caught up with Desmond Sim before the start of the play and discussed how special it was for Singapore to share its culture with Malaysia when Singapore – being connected to Malaysia by a couple of bridges - is not all that different.
Sim agreed. “Both countries were one before. If you think about it, Singapore is an accidental nation because of what transpired in Malaysian politics,” he says, referring to the split in party lines back in the sixties.
KLPAC's Theatre for Young People featured five actors who switch roles to enact different characters in a set of five plays written by Desmond Sim and Nandang Abdul Rahman, and directed by Christopher Lim. In four of the plays, humour laced the lines that also depict universal emotions of human relationships. In the fifth play titled 'The Five Stages of Grief', the theme of death was dealt with, demonstrating progressively disbelief, anger, blame and remorse that happen with the demise of a loved one. Poignant indeed.
Kuala Lumpur premiered On TheEmerald Hill, a dramatic monologue by Singaporean actor, director and playwright Jonathan Lim. Directed by Christina Sergeant, the play thrilled the audience from the second the curtain opened to reveal a believable cemetery (actually transformed theatre seats with stenciled gravestones). A reversed theatre it was, with the small room of audience sitting on the stage area, looking on to scenes of Emily of Emerald Hill at Choa Chu Kang Chinese Cemetery.
Jonathon Lim stars in the monologue 'On This Emerald Hill', which he also scripted
In the play, a gregarious Peranakan woman - Emily of Emerald Hill - meets an ordinary Chinese Singaporean man who is overwhelmed with having to bury his dead father in a hole that isn’t big enough. The re-enactment of Kuo Pao Kun’s The Coffin is Too Big for the Hole is brilliant as Jonathan Lim combines both iconic Singapore plays with amazing wit, humour and nostalgia.
Other programmes that entertained Malaysians were CausewayEXchangefilms, exhibitions, literary talks and poetry slamming. There was the screening of filmmaker Tan Pin Pin’s highly acclaimed Singapore Gaga. And anyone could walk in to appreciate the exhibition of cartoonist Heng Kim Song’s works and JFlash Studio’s photographs of Singaporeans from all walks of life.
Lit Up KL featured writer Ken Mizusawa, an award-winning Japanese educator and playwright who lives in Singapore.
Malaysian Versus Singaporean Poets
Heng Kim Song's telling cartoons featured
Later that night, the poetry slam was great fun as youths from Singapore and Malaysia pitted their literary strengths against each other. While the Malaysians raged about political and education systems in their country, Singaporean poets took on a more artistic stance to display literary art forms in verses – rhymed or blank.
Special mention has to go to Marc Daniel Nair from Singapore for his amazing talent in writing and delivering good poetry, with good use of allusions, imagery and metaphors. His poem on Hector and Mbuyisa Makhubo titled How Secrets Are Made was particularly touching. Ben Chua was also a favourite, as he recited his highly imaginary and funny poems, each about three minutes long, all from memory.
Poetry slam winners (from right): Marc Nair (2nd, Singapore), Michelle Lee (3rd, Malaysia) and Thato Ntshobele (tops, Malaysia). Watch the videos on Gaia Discovery YouTube station.
The judges’ top favourite was the animated Thato Ntshobele who roused chuckles within the audience as they snapped their fingers and stamped the floor in appreciation of his rap beat and rhythm in poetry reading.
If you want to get a closer look at the poetry slam, why not watch the short videos I took?
The overall winner - Thato Ntshobele - was not strictly speaking a Malaysian, but an African studying in Malaysia, so the Singaporean supporters were left confused as how he could represent Malaysia in the next big challenge - the Asia Pacific poetry slam. But you know what Singaporeans are like - they play by the rules, almost robot like.
Maybe it takes an exchange programme like this with Malaysia to appreciate that sometimes, rules can be bent, just a little, just because they can. As we tucked into Portuguese delights in the famous historical Malacca town on the bus ride home, we were still struggling with the answer.
Nonetheless, we all thoroughly enjoyed the three-day cultural encounter with our best neighbour, and look forward to the next CausewayEXchange.
Photos by Mallika Naguran
For more information, please visit www.klpac.org ; www.causeway-exchange.com or www.facebook.com/causewayexchange.
Contact Danny Chan
Producer| Asian Culture Enterprise (S) Ltd
Contact Shawn Lourdusamy